The concerto in G major, Wq. 169 has been dated to 1755 in its first version for organ and orchestra. It opens with an energetic orchestral introduction, distinguished by its dotted rhythms and fast arpeggio patterns. As often, solo passages alternate between fast and melodic phrases, increasing in virtuosity as the relatively extended movement proceeds, leading to a solo cadenza at the end. The E minor Lento breathes an air of melancholy into the descending orchestral contours of its opening, a mood that the flute joins, adding a short fermata before the movement ends. The lively final presto dispels this sorrow with its bright optimism and brilliant solo writing.
Fredagen den 24 oktober håller Hans Fagius ett seminarium om J.S. Bachs ”Leipziger Choräle”. Seminariet äger rum i Christinae kyrka, kl 9.30–15.30, med lunchpaus 12.00–13.00. Detta seminariet, som arrangeras i samarbete med Göteborgs stift, riktar sig särskilt till svenska kyrkomusiker och kommer att hållas på svenska.
Man kan delta som aktiv eller passiv i detta seminarium och man kan välja att delta endast i denna (24 oktober) eller att även vara med de övriga dagar som orgelakademien pågår (23–26 oktober). Deltar man endast med den 24 oktober så ingår en enkel lunch (baguette, dricka, frukt) och orgelkonserten i Örgryte nya kyrka, kl 20.00.
Kostnaden för fredagsprogrammet är 750 kr (500 kr för studenter och pensionärer). Vill du delta i hela orgelakademien inklusive Hans Fagius seminarium på fredag så blir kostnaden 2.500 kr (1.500 för studenter och pensionärer). Du kan också välja att vara med en viss annan dag än fredag och beställa dagskort för den dagen.
När du väljer att vara med fler dagar än endast fredag, så kan du delta som passiv i en av de andra mästarklasser (torsdag och lördag eftermiddag): Annette Richards (orgel) eller Ulrika Davidsson & Joel Speerstra (klavikord-cembalo-fortepiano).
This year’s artistic director in residence is Prof. Annette Richards, University organist at Cornell University and a leading scholar on Carl Philipp Emanuel Bach. The organ academy will feature masterclasses on the literature of JS Bach, his students and sons that explore the rich landscape of keyboard instruments of eighteenth-century central Europe.
Concerts will feature the North German Baroque Organ in Örgryte New Church, the Swedish classical Schiörlin organ from 1783 in Jonsered, forte pianos, harpsichords, clavichords and the Swedish premiere of the new duo clavichord built by Per Anders Terning and Joel Speerstra.
The twentieth century brought a spirit of innovation to organ building, and composers were inspired to seek out new approaches to the instrument. The most revolutionary new technology was sound recording. For the first time in history, the fleeting sounds produced by musicians could be fixed for future playback. Thus organs, improvisations and interpretations of repertoire became documents of performance practice traditions.
At the Göteborg International Organ Academy 2013, we will explore many facets of twentieth- and twenty-first-century organ music, with special emphasis on sound recordings. Concerts of modern repertoire will feature improvisations and the incorporation of recordings, including an experimental program by the duo Zeelab. Kimberly Marshall will present a concert demonstrating innovation in composing for the organ from the fifteenth to twenty-first centuries; Henrico Stewen will perform Reger, demonstrating his insights into this composer; Martin Herchenröder has devised a program of twentieth- and twenty-first-century music including Ligeti’s Volumina, to be performed on one of the organs where it was first presented; Ilona Kubiaczyk-Adler will demonstrate the cross influences between minimalism, jazz and the symphonic tradition; and Frédéric Blanc will recreate music from twentieth-century France through recording and improvisation.
We know that there are a few of you out there who wants to come to the concerts but not the academy itself. Here is a list of all the concerts that are open to everyone. Remember to bring a friend too, because these concerts are going to be wonderful.
Thursday, September 13th
Artisten – 13:00
Opening & Lunch Concert – Joel Speerstra will be playing works by Georg Böhm on the clavichord, harpsichord and the Bjurum organ at Artisten. Free admission.
Örgryte New Church – 20:30 Organ Concert – Bine Katrine Bryndorf will be playing works by Heinrich Scheidemann, Dieterich Buxtehude and Nicolaus Bruhns on the North German Baroque Organ. Admission to this concert is 120 SEK for adults and 80 SEK for students and already included in your ticket if you have day pass for this day, or a full academy pass.
Friday, September 14th
Haga Church – 13:30 Lunch Concert – Ulrike Heider will be playing works by Franz Tunder, Dieterich Buxtehude and Heinrich Scheidemann. Free admission.
Örgryte New Church – 18:00 Lüneburg Vespers – Under the direction of Magnus Kjellson, Göteborg Baroque will be performing Lüneburg Vespers aided by pastor Stefan Hiller with music selection and preparation done by Frederick K. Gable. Free admission.
Örgryte New Church – 21:00 Organ Concert – Pieter Dirksen
Saturday, September 15th
Örgryte New Church – 13:30 Lunch Concert – Karin Nelson. Free admission.
Örgryte New Church – 21:00 Georg Böhm & Choreography – Hans Davidsson playing select organ works by Georg Böhm together with choreography acted by dancers Stayce Camparo and Jonathan Davidsson.
We hope to see you at one or more of the concerts during the academy!
Gothic Catalog has made a video talking about the “Schnitger Organ” (which we simply refer to as the North German Baroque Organ) in Örgryte New Church. It has some nice facts and information about the organ, and as an added benefit the audio is Hans Davidsson playing Buxtehude’s Nun lob, mein Seel, den Herren on the organ.
This music is part of Hans’ CD recording of the complete organ works of Buxtehude, made in Örgryte New Chruch.
Did you register early and are an active masterclass participant? Make sure to have a look at our recommended score editions and the list of the North German Chorale Fantasias so that you don’t miss out on anything as an active participant. If you have a question, just leave a comment or contact us.
One of our faculty members, Karin Nelson, recorded a CD as part of her dissertation on H. Scheidemann’s Magnificat settings. This video with Karin playing (recorded live) is Magnificat I. Toni on the mighty North German Baroque organ in Örgryte New Church which will be the host of many events at this year’s academy.