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Saturday, October 15, 2022 - Vasa Church 17:00-18:00
20.00 kr - 150.00 kr
Concert
Sonneurs and Hampus Lindwall
Erwan Keravec, bagpipes
Mickaël Cozien, biniou koz
Erwan Hamon, bombard
Guénolé Keravec, trelombard
Hampus Lindwall, organ
DROR FEILER (b. 1951)
Desobedience in BDS
WOLFGANG MITTERER (b. 1958)
RUN
HAMPUS LINDWALL (b. 1976)
Brace for Impact (2020)
HANNE LIPPARD (b. 1984)
Neinternet (2019)
BERNARD CAVANNA (b. 1951)
To Air One
PHILIP GLASS (b. 1937)
Music in Similar Motion
- Brace for Impact (2020) for organ & electronics
Brace for Impact is an arm wrestling match between the organ and a pre-recorded track with electric guitars. Both instruments share cliché-like characteristics such as loudness, and tendency for performers to use the instrument to “show off”. Here they go for the ultimate match.
Extra special thanks to Stephen O’Malley who generously took time to record the guitar parts with me in Paris. Additional guitar riff samples from Meshuggah.
Sonneurs and Hampus Lindwall
Erwan Keravec, bagpipes
Mickaël Cozien, biniou koz
Erwan Hamon, bombard
Guénolé Keravec, trelombard
Hampus Lindwall, organ
DROR FEILER (b. 1951)
Desobedience in BDS
WOLFGANG MITTERER (b. 1958)
RUN
HAMPUS LINDWALL (b. 1976)
Brace for Impact (2020)
HANNE LIPPARD (b. 1984)
Neinternet (2019)
BERNARD CAVANNA (b. 1951)
To Air One
PHILIP GLASS (b. 1937)
Music in Similar Motion
- Brace for Impact (2020) for organ & electronics
Brace for Impact is an arm wrestling match between the organ and a pre-recorded track with electric guitars. Both instruments share cliché-like characteristics such as loudness, and tendency for performers to use the instrument to “show off”. Here they go for the ultimate match.
Extra special thanks to Stephen O’Malley who generously took time to record the guitar parts with me in Paris. Additional guitar riff samples from Meshuggah.
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(continued from above)
- Neinternet (2019) for organ and electronics
Commissioned by Cory Arcangel & Hampus Lindwall for Art Night London 2019, curated by Helen Nisbet. Neinternet is a narrative piece that deals with the unbearable frustration of not having a functioning internet connection. The title being a combination of “nein” and “internet” is referring to the notoriously infamous German internet. The narrator's thoughts are drifting farther away, wandering in the boredom of waiting, while the organ is mimicking the sound of a 1990s dial-up modem.
(In collaboration with Gothenburg Art Sounds.)