Opening Gala Concert in Two Parts
Part One: Young Voices

Göteborg Youth Choir
Anne Johansson, conductor
Lars Storm, organ

KARIN REHNQVIST (b. 1957) & ANDERS EBY (b. 1949), ARR.
Jag lyfter mina händer

OLA GJEILO (b. 1978)
Unicornis captivator

Z. RANDALL STROOPE (b.1953)
The Conversion of Saul

GEORGE FREDERICK HANDEL (1685–1759)
From Four Coronation Anthems
My Heart is Inditing (from “My Heart Is Inditing”)
Let Thy Hand Be Strengthened (from “Let Thy Hand Be Strengthened”)
Let Justice and Judgement (from “Let Thy Hand Be Strengthened”)
Alleluia (from “The King Shall Rejoice”)

Swedish National Ballet School (Artistic director: Sebastian Michanek)
Svetla Tsvetkova, organ

PYOTR ILYICH TCHAIKOVSKY (1840-1893)
Suite from The Nutcracker

Opening Gala Concert in Two Parts
Part Two: Celebrating César Franck

The Zilliacus Quartet (Cecilia Zilliacus and Julia-Maria Kretz, violin; Ylvali Zilliacus, viola; Kati Raitinen, cello)
Bengt Forsberg, piano
Aude Heurtematte, organ (Henry Willis, 1871)

CÉSAR FRANCK (1822–1890)
Piano Quintet in F major (1879)
– Molto moderato quasi lento – Allegro
– Lento con molto sentimento
– Allegro ma non troppo ma con fuoco

From Trois Pièces pour le Grand Orgue (1878)
– Fantaisie
– Cantabile
– Pièce héroïque

Sonata for violin and piano (1886)
– Allegro ben moderato
– Allegro molto
– Recitativo–Fantasia: Ben moderato
– Allegretto poco mosso

Early music, folk music and improvisation

Anna Maria Friman, voice
Marco Ambrosini, nyckelharpa
Catalina Vicens, organetto
Sietze de Vries, organ

TRADITIONAL SWEDISH HYMN MELODY FROM NUCKÖ, ESTONIA (AFTER MATS BORMAN)
Ande, full av nåde

WACŁAW Z SZAMOTUŁ (c. 1520 – c. 1560, POLAND)
Psalm XIV, Domine quis habitabit

TRADITIONAL SWEDISH HYMN MELODY FROM NUCKÖ, ESTONIA (AFTER LENA SCHÖNBERG)
I himmelen
Nu haver denna dag

ANONYMOUS (12TH C.)
Nobilis humilis

TRADITIONAL NORWEGIAN
Solbønn

ORGAN IMPROVISATION

TRADITIONAL NORWEGIAN
Eg Veit I himmerik Ei Borg

ORGAN IMPROVISATION

ANONYMOUS TVISÖNGUR, ICELAND (17TH C.)
Stóð álengdar staðlaus að gá
Hér er ekkert

ANONYMOUS FOLK SONG, ICELAND
Þegar ég smáu fraeí fold

TRADITIONAL SWEDISH HYMN MELODY FROM NUCKÖ, ESTONIA (AFTER JOHAN TEGELBERG)
Abba, hjärtans Fader god

Concert
Sonneurs and Hampus Lindwall

Erwan Keravec, bagpipes
Mickaël Cozien, biniou koz
Erwan Hamon, bombard
Guénolé Keravec, trelombard
Hampus Lindwall, organ

DROR FEILER (b. 1951)
Desobedience in BDS

WOLFGANG MITTERER (b. 1958)
RUN

HAMPUS LINDWALL (b. 1976)
Brace for Impact (2020)

HANNE LIPPARD (b. 1984)
Neinternet (2019)

BERNARD CAVANNA (b. 1951)
To Air One

PHILIP GLASS (b. 1937)
Music in Similar Motion
- Brace for Impact (2020) for organ & electronics
Brace for Impact is an arm wrestling match between the organ and a pre-recorded track with electric guitars. Both instruments share cliché-like characteristics such as loudness, and tendency for performers to use the instrument to “show off”. Here they go for the ultimate match.
Extra special thanks to Stephen O’Malley who generously took time to record the guitar parts with me in Paris. Additional guitar riff samples from Meshuggah.

Contemporary music and improvisations on the world’s largest meantone organ

Hans-Ola Ericsson (Sweden) and Hampus Lindwall (Belgium), organ.

Darkness, Bright Light and Shadows

1. ...Shadows
2. Black Light
3. Rupture
4. Depths

Lunch Concert: Aude Heurtematte, organ (John Brombaugh, 1991)

HANS LEO HASSLER (1564–1612)
“Lustgarten Neuer Teutscher Gesäng” (Turin Tablature) :
– Prima Intrada
– Mit deinen lieblichen Augen
– Mein Herz das du mir hast gestollen
– Ach Schatz ich sing und lache
– Wer liebt aus trewen Hertzen

CHARLES RACQUET (1597–1664)
Fantaisie

LOUIS COUPERIN (1626–1661)
Prélude (Il faut jouer cecy d'un Mouvement fort lent)
Fantaisie en basse
Fantaisie à 4

HIERONYMUS PRAETORIUS (1560-1629)
Magnificat Primi Toni
– Versus in Tenore
– Versus in Discantu
– Versus in Basso

Music by Women Composers from Four Centuries
North German Baroque Organ
Anne Laver

IMPROVISATION

Magnificat

CATERINA ASSANDRA (c. 1590-1620)
Ave verum corpus
Ego flos campi

VERSETS FROM THE NOTEBOOK OF SOR MARÍA CLARA DEL SANTÍSIMO SACRAMENTO, 18TH CENTURY
(Cuaderno de Tonos de Maitines)
First Tone with the Final on D: Psalm tone and 7 versets
First Tone with the Final on F: Psalm tone and 6 versets

NATALIE DRAPER (b. 1985)
Pattern Dances for Meantone Organ (2021)
I. Pulse
II. Breathe
III. Glide
IV. Tiptoe
V. Spin


Listening to the Lady Organist: Voices from 19th-Century London
Henry Willis organ (1871)
Annette Richards

ELIZABETH STIRLING (1819–1895)
From Six Pedal Fugues (Five of Which Are upon English Psalm Tunes) and Eight other Movements for the Organ (London, 1857

Maestoso in D minor
Air with Variations in A major
Largo in A flat major
Moderato in F major
Chorale (‘Tallis Canon’) and Fugue in G major

Music in Sainte-Clotilde: César Franck and Théodore Dubois
Joris Verdin, organ (Henry Willis, 1871)
Lisa Benderius, harmonium (Alexandre, 1883)
Jack Bailey, cello
Ida Rostrup, double bass
Erik Groenestein-Hendricks, harp
Karin Härefelt, soprano
Katarzyna Łapot, soprano
Magnus Heier, tenor
Marcus Waldemarson, tenor
David Sturk, bass
Erik Hvitfeldt, bass
Mathias Harms, conductor

CÉSAR FRANCK (1822–1890)
Offertoire en mi bémol majeur
Justus ut Palma pour basse, chœur et orgue (obligato)

Petit Offertoire, published in: The International Organist & Quarterly Journal of the Original Organ Music by eminent contemporary writers, by John William Hinton, London 1877

From L’Organiste: Sept pièces in D-flat major and C-sharp major, CFF 41:
1. Andante
2. Andantino
3. Poco andantino
4. Poco allegro
5. Lento
6. Andantino poco mosso
7. Andante

O salutaris
pour basse, orgue, harpe et violoncelle

Magnificat en Ré majeur
6 alternating verses

Andante en la majeur
Panis Angelicus, pour ténor, orgue, harpe, violoncelle

Intermission

THÉODORE DUBOIS (1837–1924)
Prélude, à César Franck, Douze Pièces n° 1

Panis Angelicus, á mon ami César Franck, la mineur, Solo de mezzo-soprano, chœur et orgue

A Saami Requiem

Gunnar Idenstam and Ola Stinnerbom, music
Ola Stinnerbom, Choreography, dance and yoik
Gunnar Idenstam, organ
Erik Weissglas, guitars
Rafael Sida Huizar, percussion (pre-recorded)
Jonas Dahlstrand, sound

GUNNAR IDENSTAM (b. 1961) &
OLA STINNERBOM (b. 1964)
A Saami Requiem

PART I. The Journey
Entrée
Requiem Aeternam
Misterioso
Blues Yoik in C
Pols Jojk
Saajjva - The Door to the Kingdom of Death

PART II. The Kingdom of Death
Mirrored Choral - Shimmering yoik
Percussion Meditation
Adagio
Guitar contemplation
Death Yoik

PART III. The Return
The Return Trip -Back in this World
Blues Yoik in E
Transports de joie / The End Hymn

A Saami Requiem is a music and dance production by concert organist Gunnar Idenstam and Saami artist Ola Stinnerbom. The piece is a spiritual mass in which the audience is invited to ”the other world” , the world of death. A world that is inhabited by wondrous and mythical creatures and animals. Here comes only the one who has met death. In the Saami tradition this person is a Nåjd, a Shaman in the Saami tradition, a spiritual leader, who can do this journey...

A Celebration of Johann Adam Reincken
Edoardo Bellotti, organ

JOHANN ADAM REINCKEN (1643–1722)
An Wasserflüssen Babylon (Samuel Scheidt, Görlitzer Tabulatur, 1650)

An Wasser Flüssen Babylon, Choral a 2 Clav et Pedal (Berlin, Hochschule der Künste, H9364)

Suite in C (Norrköping, Finspångssamlingen [the Finspång Collection] 1136:02)
– Allemande
– Courante
– Sarabande
– Gigue

Ballet ex E (Leipzig, Andreas Bach Buch)

Holländische Nachtigall (Norrköping, Finspångssamlingen 1136:02)

Toccata in G (Leipzig, Andreas Bach Buch)